Solo Project by Roslisham Ismail aka Ise



17 December 2020 - 09 January 2021
A+ Works of Art

A+ WORKS of ART is honoured to present Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals), a solo project by late and cherished artist Roslisham Ismail aka Ise. 

This project was planned to launch in 2019 but was hit by the artist’s saddening passing. It would have marked Ise’s first solo exhibition in Kuala Lumpur in nine years. While his practice expanded abroad through participation in large-scale perennial exhibitions and multiple residencies programmes, Ise was yearning to present his work at home within the format of a solo exhibition, which by nature foregrounds an artist’s voice and creates the foundation for critical appraisal. 
 
In 2016 during a short trip in Germany, Ise jotted down in his notebook the title of his much-contemplated solo project: Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals), to which he returned two years later when eventually, such an exhibition became possible. Ise saw in basic arithmetic operations and their specific properties, a reflection of his artistic process. Actions are performed differently; yet the results could be the same. “Painters 100 years ago—” explains Ise in an interview “—also went to the market to buy vegetables and put them in a still life painting. For me it was the same. I went to the market and put the food on display. It’s just another way of working.” 
 
An exhibition that takes place a little more than one year since the artist’s passing rightfully carries deeper significance and responsibility. Still, Ise’s solo project in a gallery is not retrospective as the exhibition was not conceived as such. A retrospective is a museum’s due. 

Within the current presentation, the project keeps to its original intentions and remains artist-centred, true to Ise’s vision and artistic tools. While this exhibition does not survey Ise’s broad practice, it is defined, as the title suggests, by a reflexive scope. Although produced four years apart, the two bodies of work that shape this project intimately interconnect. Seamlessly they capture Ise’s art-making process, his distinctive ways of navigating the world and embedding the serendipity of life and social encounters in artistic practice. 

Aimed to foster connections between artists and a new context, to provide much-needed time and space for reflection and encounters, artist-in-residence programmes represented an important catalyst in the development of Ise’s artistic practice. Their nature suit Ise’s method of working, social flair, endless curiosity and conceivably offered a means to take distance from a familiar environment and reflect on it from afar. A ramification of his residency project at Bangkok University Gallery, Operation Bangkok (2014) maps Ise’s encounters with the city and its inhabitants. From the abandoned New World Mall, Thieves’ Market, Crocodile Temple (Wat Chakrawat) to anti-government protests in Lumpini Park, to name a few, Ise guides us to places and events meaningful to those for whom Bangkok is home. We discover, through Ise’s eyes and interactions, Bangkok as a living city rather than a tourist destination on the global market. 
 
Fictional characters have been recurrent in Ise’s drawings informed by the visual vernacular of comics. In 2018, he started a collaboration with the comic book artist Ibrahim Hamid (Pak Him), whose work Ise knew since primary school. In the vicissitudes of life, they first met at the hospital in Kota Bharu, where both were undergoing dialysis treatment. Ise commissioned Pak Him to execute, following his instructions and study drawings, a series of graphic novel illustrations. These comics, displayed in mobile lightboxes, employ strategies of self-narration situating Ise inside the story as protagonist. Checked for hours at Christchurch’s customs under the odd suspicion of being a “drug designer”; mugged in Barcelona at knifepoint; stopped by the police in Jakarta after Malaysia won a regional cup in a football match against Indonesia but backed by his peers, and so on, Ise revived his micro-narratives through a fictionalised persona and Pak Him’s craftsmanship. Portraying himself within a world with many others, friends and strangers alike, Ise affirmed his continuous interest in the virtues and intricacies of the social.  

Alongside an e-publication designed by Kenta Chai, a special issue of sentAp!, the magazine founded by curator Nur Hanim Khairuddin and Ise in 2005, will be published on the occasion of this project. Dedicated to Ise, this issue is designed by Yan; and it includes a series of interviews by writer Tan Zi Hao with the curators Ark Fongsmut, Nur Hanim Khairuddin, and Russell Storer; an essay and a conversation with ruangrupa by curator Anca Rujoiu. 
 
Roslisham Ismail aka Ise’s solo project is realised in collaboration with Ise Parkingproject Foundation with the support of A+ Works of Art and NTU Centre for Contemporary Art Singapore. The exhibition will be presented in The Lab at NTU Centre for Contemporary Art Singapore between 16 January – 28 February 2021.

* Visit to the gallery is by private appointment only. Please contact +6018 333 3399 or email to info@aplusart.asia

Solo Project by Roslisham Ismail aka Ise

Solo Project by Roslisham Ismail aka Ise

17 December 2020 - 09 January 2021
A+ Works of Art

A+ WORKS of ART is honoured to present Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals), a solo project by late and cherished artist Roslisham Ismail aka Ise. 

This project was planned to launch in 2019 but was hit by the artist’s saddening passing. It would have marked Ise’s first solo exhibition in Kuala Lumpur in nine years. While his practice expanded abroad through participation in large-scale perennial exhibitions and multiple residencies programmes, Ise was yearning to present his work at home within the format of a solo exhibition, which by nature foregrounds an artist’s voice and creates the foundation for critical appraisal. 
 
In 2016 during a short trip in Germany, Ise jotted down in his notebook the title of his much-contemplated solo project: Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals), to which he returned two years later when eventually, such an exhibition became possible. Ise saw in basic arithmetic operations and their specific properties, a reflection of his artistic process. Actions are performed differently; yet the results could be the same. “Painters 100 years ago—” explains Ise in an interview “—also went to the market to buy vegetables and put them in a still life painting. For me it was the same. I went to the market and put the food on display. It’s just another way of working.” 
 
An exhibition that takes place a little more than one year since the artist’s passing rightfully carries deeper significance and responsibility. Still, Ise’s solo project in a gallery is not retrospective as the exhibition was not conceived as such. A retrospective is a museum’s due. 

Within the current presentation, the project keeps to its original intentions and remains artist-centred, true to Ise’s vision and artistic tools. While this exhibition does not survey Ise’s broad practice, it is defined, as the title suggests, by a reflexive scope. Although produced four years apart, the two bodies of work that shape this project intimately interconnect. Seamlessly they capture Ise’s art-making process, his distinctive ways of navigating the world and embedding the serendipity of life and social encounters in artistic practice. 

Aimed to foster connections between artists and a new context, to provide much-needed time and space for reflection and encounters, artist-in-residence programmes represented an important catalyst in the development of Ise’s artistic practice. Their nature suit Ise’s method of working, social flair, endless curiosity and conceivably offered a means to take distance from a familiar environment and reflect on it from afar. A ramification of his residency project at Bangkok University Gallery, Operation Bangkok (2014) maps Ise’s encounters with the city and its inhabitants. From the abandoned New World Mall, Thieves’ Market, Crocodile Temple (Wat Chakrawat) to anti-government protests in Lumpini Park, to name a few, Ise guides us to places and events meaningful to those for whom Bangkok is home. We discover, through Ise’s eyes and interactions, Bangkok as a living city rather than a tourist destination on the global market. 
 
Fictional characters have been recurrent in Ise’s drawings informed by the visual vernacular of comics. In 2018, he started a collaboration with the comic book artist Ibrahim Hamid (Pak Him), whose work Ise knew since primary school. In the vicissitudes of life, they first met at the hospital in Kota Bharu, where both were undergoing dialysis treatment. Ise commissioned Pak Him to execute, following his instructions and study drawings, a series of graphic novel illustrations. These comics, displayed in mobile lightboxes, employ strategies of self-narration situating Ise inside the story as protagonist. Checked for hours at Christchurch’s customs under the odd suspicion of being a “drug designer”; mugged in Barcelona at knifepoint; stopped by the police in Jakarta after Malaysia won a regional cup in a football match against Indonesia but backed by his peers, and so on, Ise revived his micro-narratives through a fictionalised persona and Pak Him’s craftsmanship. Portraying himself within a world with many others, friends and strangers alike, Ise affirmed his continuous interest in the virtues and intricacies of the social.  

Alongside an e-publication designed by Kenta Chai, a special issue of sentAp!, the magazine founded by curator Nur Hanim Khairuddin and Ise in 2005, will be published on the occasion of this project. Dedicated to Ise, this issue is designed by Yan; and it includes a series of interviews by writer Tan Zi Hao with the curators Ark Fongsmut, Nur Hanim Khairuddin, and Russell Storer; an essay and a conversation with ruangrupa by curator Anca Rujoiu. 
 
Roslisham Ismail aka Ise’s solo project is realised in collaboration with Ise Parkingproject Foundation with the support of A+ Works of Art and NTU Centre for Contemporary Art Singapore. The exhibition will be presented in The Lab at NTU Centre for Contemporary Art Singapore between 16 January – 28 February 2021.

* Visit to the gallery is by private appointment only. Please contact +6018 333 3399 or email to info@aplusart.asia

Solo Project by Roslisham Ismail aka Ise